Welcome to a new category of posts on Gold Skulltulla wherein videogames are the core topic. Even though I find myself playing fewer games nowadays, I still enjoy finding new game experiences and try to stay up to date on the contemporary ongoings of the larger videogame world as best I can. Expect to see more editorial-style columns showing up around here in addition to reviews like the one that follows. The way I approach games and the games I choose to play has changed quite a bit over time. The games chosen for review and editorial extrapolation will reflect this viewpoint moreso than trying to stay up-to-the-minute on recent releases, although current events and news will likely factor in at times. I hope that some of the readership and listening audience for Gold Skulltulla's DJ mixes and music lists will find something worthwhile about these videogames discussions; the focus being to cross-pollinate my own interests and see if there is an audience out there with which to share them. So I'd like to kick things off with a review of Konami's NES sequel,
Super C.
The original
Contra on the NES is a classic run n' gun game that sits in the greater game canon and is looked upon with a nostalgic fondness by those who grew up with it. People tell me that game is supposed to be difficult, but it's one of those few games that I've beaten so many times that there's no real challenge and I instead enjoy it as a form of catharsis. Strange then that I'm only recently playing its sequel
Super C (short for
Super Contra, one would assume). Full disclosure: this review is referring to the original NES cartridge version of the game.
As with many sequels, it's difficult to talk about subsequent entries in a franchise without addressing their predecessors, especially one as iconic as
Contra.
Super C recycles some of the original graphics, including the protagonists, a few enemies, and sound effects. However, there are plenty of newly minted sprites here as well, and for the most part the new graphics appear slightly more sophisticated. Gameplay is nearly identical, maintaining the basic format of platforming, shooting, dodging, grabbing power-ups and fighting bosses at the end of each level (8 here). There are a couple notable exceptions including the addition of inclined surfaces, a retooling of the F gun into a charge shot, and two stages where you control the character from a top-down perspective. All three are well-executed and either enhance or take gameplay into a new direction for the series. The music is still solid this time around, but not quite as catchy as some of the tunes in the original.
As for that trademark difficulty level,
Super C proves to take a bit more skill, but maybe this is just because I haven't locked in near as many hours as
Contra. That said, level 8 in particular throws a lot of obstacles in your way that if you die and lose what is likely your spread shot gun, it can be rough. We're still talking one-hit deaths here. Even so, bosses are, for the most part, a cinch. The final boss is especially a letdown seeing as you fight through a grimy, disgusting alien fortress only to discover a weird, gray, human-faced statue-like mass coming out of the ground to spew a few spike-balls your way as you easily run up to it and shoot it in the face, totally unabated. Furthermore, the lame ending then kicks in which is just a shot of a helicopter flying during a sunset, offering no text explanation or really any kind of resolution. Not that anyone really cares about the "
Contra fiction," but something to add more of a sense of accomplishment would be welcome.
Some design choices in
Super C certainly raise a few eyebrows. It's no secret that the protagonists Bill and Lance are clearly modeled after Arnold Schwarzenegger in
Predator and Sly Stallone from
Rambo, but the design knock-offs go further in the sequel. The running alien enemies in the last two levels are total rip-offs of Ridley Scott's
Alien aliens and you could make a case that the level 6 boss' face looks an awful lot like the
Predator monster. Sure these developer decisions seem a bit dubious in a way, but they also provide a gameplay experience that compliments those films pretty well. Where I'd rather criticize design is when it comes to the sharpness and clean appearance of the last two boss characters which really don't fit into the fleshy, sticky alien lair where they are found. Those fights feel more like they're against some crappy background image than an actual monster to be feared.
It's not really fair that
Super C is as overlooked as it is, seeing as it's a successful sequel to a hit game. Perhaps it's the fact that
Super C is short on significant innovations in the greater series that keep it from standing out. If you're only going to play one
Contra game per console, you should select the original game since it's more relevant in terms of modern references, but
Super C does follow-up on that formula in an incrementally satisfying way that will serve players who are already series fans just fine.
:screenshots from
VGMuseum:
Merry belated MixXmas everyone! I wanted to use a bunch of tracks that more explicitly fall into a disco category for a mix, so expect all sorts of mirror-ball tropes to pop up as you listen. Of course it's mostly much more contemporary than the true disco heyday, but I see it as a modern tribute of sorts. The mix clocks in at 68 minutes and in general I let the tracks play out a little longer than usual. Hopefully this will lead to a listening experience with long, smooth build-ups and extensive breakdown jams. Thanks for listening!
